Monday, October 17, 2011

Quite An Undertaking: Devon's Story (Paperback)

Quite An Undertaking: Devon's Story
Quite An Undertaking: Devon's Story (Paperback)
By Barbara L Clanton

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Review & Description

Devon Raines, sixteen-year old journalism nerd, was happily minding her own business when wham, her life was turned upside down. She struggled with grief when her grandmother died from a sudden heart attack. But it was at her grandmother's wake that she locked eyes with the most beautiful black girl she'd ever seen. Rebecca Washington was the most beautiful girl she'd ever seen, period. Would this beautiful dancer freak out if she knew Devon was gay and attracted? Enter Jessie Crowler, Rebecca's basketball playing best friend. Or were they only friends? Devon tried to hide her attraction for the ebony dancer, but would fate allow Rebecca to look her way? Would Jessie get in the way? Would the difference in skin color keep them apart? All this adds up to quite an undertaking in Devon's formerly quiet existence. Read more


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Sunday, October 16, 2011

Camus at "Combat": Writing 1944-1947 (Paperback)

Camus at "Combat": Writing 1944-1947
Camus at "Combat": Writing 1944-1947 (Paperback)
By Albert Camus

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Review & Description

Paris is firing all its ammunition into the August night. Against a vast backdrop of water and stone, on both sides of a river awash with history, freedom's barricades are once again being erected. Once again justice must be redeemed with men's blood.

Albert Camus (1913-1960) wrote these words in August 1944, as Paris was being liberated from German occupation. Although best known for his novels including The Stranger and The Plague, it was his vivid descriptions of the horrors of the occupation and his passionate defense of freedom that in fact launched his public fame.

Now, for the first time in English, Camus at 'Combat' presents all of Camus' World War II resistance and early postwar writings published in Combat, the resistance newspaper where he served as editor-in-chief and editorial writer between 1944 and 1947. These 165 articles and editorials show how Camus' thinking evolved from support of a revolutionary transformation of postwar society to a wariness of the radical left alongside his longstanding strident opposition to the reactionary right. These are poignant depictions of issues ranging from the liberation, deportation, justice for collaborators, the return of POWs, and food and housing shortages, to the postwar role of international institutions, colonial injustices, and the situation of a free press in democracies. The ideas that shaped the vision of this Nobel-prize winning novelist and essayist are on abundant display.

More than fifty years after the publication of these writings, they have lost none of their force. They still speak to us about freedom, justice, truth, and democracy.

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Head Shots (infinity plus singles) (Kindle Edition)

Head Shots (infinity plus singles)
Head Shots (infinity plus singles) (Kindle Edition)
By Keith Brooke

Review & Description

What if the paparazzi could read their targets' minds?

Anna-Louise is a young and ambitious reporter, on the trail of an adulterous footballer, trying to hear through the mind noise to find out what he's really up to.

Contemporary SF from an author described by Locus as belonging in "the recognized front ranks of SF writers".What if the paparazzi could read their targets' minds?

Anna-Louise is a young and ambitious reporter, on the trail of an adulterous footballer, trying to hear through the mind noise to find out what he's really up to.

Contemporary SF from an author described by Locus as belonging in "the recognized front ranks of SF writers". Read more


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Thursday, October 13, 2011

The High-Beta Rich: How the Manic Wealthy Will Take Us to the Next Boom, Bubble, and Bust (Hardcover)

The High-Beta Rich: How the Manic Wealthy Will Take Us to the Next Boom, Bubble, and Bust
The High-Beta Rich: How the Manic Wealthy Will Take Us to the Next Boom, Bubble, and Bust (Hardcover)
By Robert Frank

Review & Description

high-beta rich (hi be’ta rich) 1. a newly discovered personality type of the America upper class prone to wild swings in wealth. 2. the winners (and occasional losers) in an economy that creates wealth from financial markets, asset bubbles and deals. 3. derived from the Wall Street term “high-beta,” meaning highly volatile or prone to booms and busts. 4. an elite that’s capable of wreaking havoc on communities, jobs, government finances, and the consumer economy. 5. a new Potemkin plutocracy that hides a mountain of debt behind the image of success, and is one crisis away from losing their mansions, private jets and yachts.

The rich are not only getting richer, they are becoming more dangerous. Starting in the early 1980s the top one percent broke away from the rest of us to become the most unstable force in the economy. An elite that had once been the flat line on the American income charts - models of financial propriety - suddenly set off on a wild ride of economic binges.   
     
Not only do they control more than a third of the country’s wealth, their increasing vulnerability to the booms and busts of the stock market wreak havoc on our consumer economy, financial markets, communities, employment opportunities, and government finances.
    
Robert Frank’s insightful analysis provides the disturbing big picture of high-beta wealth. His vivid storytelling brings you inside the mortgaged mansions, blown-up balance sheets, repossessed Bentleys and Gulfstreams, and wrecked lives and relationships:

• How one couple frittered away a fortune trying to build America’s biggest house —90,000 square feet with 23 full bathrooms, a 6,000 square foot master suite with a bed on a rotating platform—only to be forced to put it on the market because “we really need the money”.
 
• Repo men who are now the scavengers of the wealthy, picking up private jets, helicopters, yachts and racehorses – the shiny remains of a decade of conspicuous consumption financed with debt, asset bubbles, “liquidity events,” and soaring stock prices.

• How “big money ruins everything” for communities such as Aspen, Colorado whose over-reliance on the rich created a stratified social scene of velvet ropes and A-lists and crises in employment opportunities, housing, and tax revenues.

• Why California’s worst budget crisis in history is due in large part to reliance on the volatile incomes of the state’s tech tycoons.

• The bitter divorce of a couple who just a few years ago made the Forbes 400 list of the richest people, the firing of their enormous household staff of 110, and how one former spouse learned  the marvels of shopping at Marshalls,  filling your own gas tank, and flying commercial.
Robert Frank’s stories and analysis brilliantly show that the emergence of the high-beta rich is not just a high-class problem for the rich. High-beta wealth has national consequences: America’s dependence on the rich + great volatility among the rich = a more volatile America. 

Cycles of wealth are now much faster and more extreme. The rich are a new “Potemkin Plutocracy” and the important lessons and consequences are brought to light of day in this engrossing book. Read more


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Wednesday, October 12, 2011

Lessons For Teacher (Kindle Edition)

Lessons For Teacher
Lessons For Teacher (Kindle Edition)
By Emma Jay

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Review & Description

University teaching assistant Jamie Winston is ready to break out of her shy, unadventurous shell by finally approaching Brady Lane—the sexy Iraqi war vet seated in the front row of her journalism class. He's brave and outgoing—something Jamie is not—and good looking to boot. Her shy flirtation with Brady at a frat party leads to a deliciously sinful tryst that leaves her wanting more. Each breathless encounter with Brady peels away a layer of Jamie's insecurity, leaving her more wanton and willing each time. But eventually, all good things must come to an end. When Brady finally leaves for an internship, will Jamie be brave enough to let him go?University teaching assistant Jamie Winston is ready to break out of her shy, unadventurous shell by finally approaching Brady Lane—the sexy Iraqi war vet seated in the front row of her journalism class. He's brave and outgoing—something Jamie is not—and good looking to boot. Her shy flirtation with Brady at a frat party leads to a deliciously sinful tryst that leaves her wanting more. Each breathless encounter with Brady peels away a layer of Jamie's insecurity, leaving her more wanton and willing each time. But eventually, all good things must come to an end. When Brady finally leaves for an internship, will Jamie be brave enough to let him go? Read more


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Monday, October 10, 2011

Songs of the Doomed: More Notes on the Death of the American Dream Gonzo Papers (Hardcover)

Songs of the Doomed: More Notes on the Death of the American Dream Gonzo Papers
Songs of the Doomed: More Notes on the Death of the American Dream Gonzo Papers (Hardcover)
By Hunter S. Thompson

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Review & Description

A collection of journalism, social commentary, short fiction and autobiography, this book is divided into sections of writing on each decade: 1950s, '60s, '70s, '80s and '90s. The book begins with a furious condemnation of the US justice system and ends with the author's own version of the events that led to his extraordinary court case. "The Great Shark Hunt" and "Generation of Swine" are volumes 1 and 2, respectively, of the "Gonzo Papers". Read more


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Sunday, October 9, 2011

War at the Wall Street Journal: Inside the Struggle To Control an American Business Empire (Hardcover)

War at the Wall Street Journal: Inside the Struggle To Control an American Business Empire
War at the Wall Street Journal: Inside the Struggle To Control an American Business Empire (Hardcover)
By Sarah Ellison

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Review & Description

This is a tale about big business, an imploding dynasty, a mogul at war, and a deal that sums up an era of change. The main character, rocked by feuding factions and those who would remake it, is the Wall Street Journal, which affects the thoughts, votes, and stocks of two million readers daily. Sarah Ellison, while at the Journal, won praise for covering the $5 billion acquisition that transformed the pride of Dow Jones and the estimable but eccentric Bancroft family into the jewel of Rupert Murdoch’s kingdom. Here she expands her work, using her knowledge of the paper and its people to go deep inside the landmark transaction, as no outsider has or can, and also far beyond it, into the rocky transition when Murdoch’s crew tussled with old Journal hands and geared up for battle with the New York Times. With access to all the players, Ellison moves from newsrooms (where editors duel) to estates (where the Bancrofts go at it like the Ewings). She shows Murdoch, finally, for who he is—maneuvering, firing, undoing all that the Bancrofts had protected. 

Here is a superlative account of a deal with reverberations beyond the news, told with the storytelling savvy that transforms big stories into timeless chronicles of American life and power.

 Product Description
This is a tale about big business, an imploding dynasty, a mogul at war, and a deal that sums up an era of change. The main character, rocked by feuding factions and those who would remake it, is the Wall Street Journal, which affects the thoughts, votes, and stocks of two million readers daily. Sarah Ellison, while at the Journal, won praise for covering the $5 billion acquisition that transformed the pride of Dow Jones and the estimable but eccentric Bancroft family into the jewel of Rupert Murdoch's kingdom. Here she expands her work, using her knowledge of the paper and its people to go deep inside the landmark transaction, as no outsider has or can, and also far beyond it, into the rocky transition when Murdoch's crew tussled with old Journal hands and geared up for battle with the New York Times. With access to all the players, Ellison moves from newsrooms (where editors duel) to estates (where the Bancrofts go at it like the Ewings). She shows Murdoch, finally, for who he is--maneuvering, firing, undoing all that the Bancrofts had protected.

Here is a superlative account of a deal with reverberations beyond the news, told with the storytelling savvy that transforms big stories into timeless chronicles of American life and power.



Amazon Exclusive: William D. Cohan Reviews War at the Wall Street Journal

William D. Cohan is an online columnist for the New York Times, appears on NPR, CNN, Bloomberg TV, CNBC, and is a frequent contributor to Vanity Fair, Fortune, the Washington Post, ArtNews, The Financial Times, and the Daily Beast. Cohan is the bestselling author of The Last Tycoons and House of Cards: A Tale of Hubris and Wretched Excess on Wall Street . Read his guest review of War at the Wall Street Journal:

In War at The Wall Street Journal, Sarah Ellison, formerly a media reporter at the old Journal--the one we all knew and loved--has written a gripping narrative account of what happened to that gem of American Journalism and why the controlling Bancroft family agreed in 2007 to sell the paper to Rupert Murdoch, the Darth Vader of Journalism. She should know: She was part of the team that covered the story when she was at the Journal, which she has since left.

Ellison's story focuses on three sets of protagonists--none of them particularly admirable--who fought over and ultimately carved up the carcass of the Dow Jones Company, the Journal's parent company. First, are the highly dysfunctional and completely unappealing members of the extended Bancroft family--and their equally unappealing attorneys--that for years fought among themselves and seemed content to allow Dow Jones to be mismanaged and to fall into disarray. Second is the management team--led by Peter Kann and his ambitious, insensitive wife, Karen Elliott House--that allowed the Journal's financial performance to deteriorate year after year, while doing an admirable job keeping the journalistic standards high and the product enviable. Only Kann's successor as CEO, Rich Zannino, seemed to have the slightest clue that his job was to create shareholder value. Finally, comes Murdoch himself, who stopped at nothing to get his long-sought prize--including agreeing to an oversight board for the Journal he quickly ignored--and paying the whopping sum of $5.6 billion to get it (including the assumption of $600 million of debt on Dow Jones' books.)

Ellison's book does a fine job of revealing the subtext for Murdoch's unbridled ambition to get control of The Wall Street Journal: He wants to use the paper to take down, if he can, The New York Times and the Sulzberger family that owns it. He seems to have a special antipathy for Arthur Sulzberger Jr., the company's Chairman and the paper's publisher. In that regard, the fact that the entire newspaper industry is on its back and may never recover its former financial glory appears to have given Murdoch his opening. In pursuit of the Times and its national audience, Murdoch has made the new Wall Street Journal unrecognizable and its daily product undistinguished. He also has announced that he has hired a newsroom full of reporters in New York City to start covering local news stories in order to compete directly with the Times on its home turf. Curiously, Murdoch and his hand-picked management team are so delighted by their new toy, they have become blinded by what has been lost--editorially speaking--at the paper. "We produced a better paper," Ellison quotes Murdoch saying at the end of her book. "It's as simple as that."

By then, though, the reader knows Murdoch's statement is patently untrue and just more of his bullying bluster. But two other ironies have also been revealed: One, that given the ongoing distress in the journalism industry, the reporters at the paper are just happy to have jobs that continue to pay them to do--in some form anyway--what they love. And, second, that the big winners in the saga are the bumbling Bancrofts, who walked off with Murdoch's $5 billion and have scattered to the winds. A little more than a year after he bought Dow Jones, News Corp. took a $2.8 billion write-off, effectively conceding that Murdoch had paid twice as much as the company turned out to be worth.

(Photo © Frank E. Schramm III)




A Q&A with Sarah Ellison, Author of War at The Wall Street Journal

Q: How did this book come about?

A: I was covering the media at the Wall Street Journal when Rupert Murdoch made his bid for the paper. The story became an epic saga, clearly great material for a book.

Q: What was it like writing about your former employer?

A: My ten years at the Journal gave me a unique perspective on this story. I knew the institution and its people so well. I hope it made my portrait of the paper more vivid. In some ways the transition from being an employee to an outsider writing about the company was made easier by the time I spent reporting on the story while still at the paper. That was challenging; once I took leave and started writing the book, the lines were more demarcated. At that point I was just doing what I had learned to do during my years as a reporter.

Q: Why did Murdoch want to buy the WSJ?

A: He loves newspapers. He covets the influence and power that come with owning the Journal. It is the most powerful business paper in the most powerful city in the most powerful country in the world. He wants to knock the New York Times off its perch as the paper that influences the cultural and political conversation in this country. The Journal is his weapon for doing that.

Q: How has the paper changed?

A: Murdoch has turned it into a news-driven general-interest newspaper and moved it away from being a business franchise.

An interesting contrast is that the Journal used to actively avoid salacious general-interest news. In 1993, the Journal famously didn't report on Lorena and John Bobbitt for a month and a half, even as the news blanketed the pages of other papers. Then, finally, the paper broke its silence with a long profile of the urologist who operated on John Bobbitt. That was the only mention of the Bobbitts in the Journal that year. Under Murdoch, the paper would have covered that story every step of the way, like everybody else.

And it ran huge photos of Tiger Woods on the front page numerous times since his marital scandal broke, something that would have been impossible at the Journal under the previous owners.

Q: Is the paper better or worse than it used to be?

A: I think it's lost something that made it unique. Reporters at the paper now write stories that are much more similar to what journalists at a lot of other papers are writing. But Murdoch is committed to the paper, and the Bancrofts, in the latter years of their ownership, were not. So the Journal's survival is more secure under Murdoch than it was under the Bancrofts.

Interestingly, as good a businessman as Murdoch is supposed to be, the Journal is losing more money under him than it was previously. He's willing to sustain great losses for a paper he loves, which is good for the paper's staff but bad for News Corp.'s shareholders.

Q: Why is this important?

A: The Journal is the highest-circulation newspaper in the country and affects the way people think about everything from whom they'll vote for to what stocks they'll buy to whether or not they'll support a political candidate.

Q: How is the New York Times reacting?

A: The New York Times is exceedingly anxious about Murdoch's presence at the Journal. After he took over, they set up a war room of sorts to deal with his threats. Both the Journal and the Times are running the equivalent of attack ads directed at the other. (In one particularly bizarre twist, the Journal recently featured a photo of New York Times publisher Arthur Sulzberger Jr. in an article about effeminate-looking men.) In the first scene of my book, Murdoch tells Sulzberger, "Let the battle begin!" Three years later, the gloves are off.

Q: Who is winning the biggest newspaper war in generations?

A: We don't know yet. The battle has just started. Murdoch has politicized the Journal. It could end up that conservatives read the Journal and liberals read the Times, which is fitting in the highly polarized political climate of today. It seems we can't even share a paper.

(Photo © Greg Martin)




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